BBP TEACHERS
GINO LABATE
Artistic Director
Classic ballet
Choreographic workshop
2002/2023
- Juryman for the international dance school contest "Encuentro international para academias de danzas y estudiantes de ballet" Ciutat de la Habana - Cuba - organized by Escuela Nacional de Ballet Fernando Alonso and CNEART. (2017/2018/2019 editions)
- Artistic Director ENBC Italia - Formative Program Método Escuela Nacional de Ballet "Fernando Alonso" Cuba
- Creator, Artistic Director and appointed Responsible, for Italy by University Institute “Alicia Alonso” - Universidad Rey Juan Carlos, Madrid, for the “Educational two-year course for dance teacher on methodology of Cuban Classical Ballet”
- Artstic Director and Dance Teacher/Choreographer for Barcelona Ballet Project - International Dance Center Catalunya.
- Guest Teacher and Juryman Certamen Internacional de Danza Ciutat de Barcelona IV and V edition (Jury: Hector Zaraspe, Julio Bocca, Christine Dakin, Nya Bowman, Javier La Torre, Igal Perry, Gino Labate)
- Artistic Director of “Labat Loano Dance Festival (13 editions), as well as the “Labat Grand Prix Giuliana Penzi” and the contest “Un Popolo che Danza”
- Artistic Director of International Dance Contest “Passi di Talento” City of Montecatini.
- Creator and Artistic Director of social initiative against alcool, drug and car crashes Saturday night “Life Vite Spezzate”
- Creator and Artistic Director of social initiative against violence to women.
- Artistic Director of “Labat International Dance Competition Città di Alassio”
- Teacher and Choreographer for the Festival of San Lorenzo - El Escorial Spagna. University Institute “Alicia Alonso” - Universidad Rey Juan Carlos, Madrid
- June 8th /12th 2015 Invited Teacher and Choreographer for contemporary classes of Rebecca Metzger’s Summer Intensive in Lovett School and North Atlanta Dance Academy’s summer intensive - Atlanta Georgia USA
- June 13th/20 Ft. Lauderdale Florida for the Dance Theatre Parkland. Florida USA
2002
- Creator of social project “Dance for Life”
- Creator and Artistic Director of social initiative for mental illness “Danza per la Mente, Città solidali in Danza”
- Artistic Director and Choreographer of Labat Contemporary Dance Company
- Director and Choreographer of dance production for mental illness “Stati Emotivi, Dentro la Follia”
- Artistic Director of the center “Labat Art’s Academy” of Reggio Calabria
2001
- Artistic Director of the Festival “Urban in Danza, Città di Catanzaro”
- Artistic Director of the “Labat Reggio Danza Festival”
- Principal Dancer Of the Dance Production “Stati Emotivi, Dentro la Follia”
2000
- Artistic Director of Cultural Association “Spazio Danza Calabria”
-Artistic Director of Dance Festival “Calabria Danzarte Reggio Danza”
- Dance Teacher Festival “Vignale Danza”
1999
- Guest Principal Dancer Festival “Vignale Danza”
- Dance Teacher Festival “Vignale Danza”
- Juryman of Dance Contest “Vignale Danza”
1998
- Dance Teacher, Guest Choreographer and Juryman for IV International Contest of Students of Ballet,
City of Habana (Cuba)
He created choreographies for the Gala of IV International Contest of Students of Ballet, Habana (Cuba):
- Mella Theater, Choreography “Despues de la Oscuridad”, created for Escuela Nacional Espectaculo Musical, XXXV Anniversary of Camaguey Ballet
- Mella Theater, Choreography “Twenty in Life”, created for Escuela Nacional de Danza Contemporanea, gala in honor of Alicia Alonso, Fernando Alonso and Alberto Alonso
- National Theater, Choreography “Dentro la Follia”, created for Escuela Nacional de Ballet, dancer Rolando Sarabia, international star of Cuban Ballet
- National Theater, Choreography “Risveglio”, created for Escuela Nacional de Ballet
- Juryman of the International Contest of Habana (Cuba) - ( Jury: Fernando Alonso, Ramona De Sàa, Alberto Mèndez, Paula Castro, Gino Labate)
- Guest Teacher and Choreographer for Prensa Conference in the International Center Prensa of Habana (Cuba)
- Member of the Court of Evaluation for the period of Professional Practice Habana and Varadero
- Guest Teacher and Juryman Festival “Vignale Danza”
1997
- Guest Teacher and Choreographer III International Ballet contest, Habana (Cuba)
- Choreographer for the Escuela Nacional de Danza Contemporanea, choreography “Dos en Tres”, National Theater of Habana (Cuba)
- Choreographer for the Escuela Nacional de Ballet, choreographies “ Dos en Movimiento” and “Recuerdo”, National Theater of Habana (Cuba)
- Choreographer for the Escuela Nacional de Espectaculo Musical, choreography “Fragmentos”, National Theater of Habana (Cuba)
- Ballet and Contemporary Dance Teacher at the third International Meeting of Ballet Academies
- Choreographer, at the Gala of International Ballet Contest Habana, for Escuela Nacional de Arte (CNART)
- Dance Teacher for the Methodology Program “Fondazione Teatro Nuovo di Torino”
- Guest Teacher and Juryman for the Festival “Vignale Danza”
1995
- Artistic Director Dance Festival “Danzare ’95”, Palaeur (Rome)
- Guest Teacher and Juryman Festival “Vignale Danza”
- Choreographer for TV program “Uno Mattina”, RAI (national television network)
1993
- First Dancer and Choreographer for the production “Enigma”, San Genesio Theater (Rome)
1992
- First Dancer and Choreographer, charity initiative for autistic children, Choreography “Enigma”, Piper ’90 (Rome)
- Creator and Choreographer for the production “Oltre il Buio”, social initiative against AIDS
- First Dancer and Choreographer at the “Bottega Coreografica Grassina “ (Firenze)
- First Dancer and Choreographer in a Dance Festival in Basel (Switzerland), production “Enigma”
From 1983 to 1989
Soloist and First Dancer for the Company of the Teatro Comunale “Maggio Musicale Fiorentino” (Firenze)
The most important productions:
- “La Silfide”, choreographer Peter Schaufuss, soloist in the four witches (1983)
- “Pulcinella”, choreographer Oscar Araiz, first dancer (1984)
-- “Giselle”, choreographer E. Poliakov, first dancer (Duke), with Carla Fracci and James Urbain
- “Giselle” choreographer E. Poliakov, soloist, with R. Nureyev and Sylvie Guillem
- “La Strada”, choreographer Mario Pistoni, soloist
- “Il Cappotto”, choreographer Fleming Flindt, soloist
- “Il Principe di Legno”, soloist
From 1980 to 1982
Soloist for the Company of National Dance Academy Rome
The most important productions:
- “Giselle”, choreographer Zarko Prebil
- “Don Quixote”, choreographer Zarko Prebil
- “Lago dei Cigni”, choreographer Zarko Prebil
- “Schiaccianoci”, choreographer Zarko Prebil
Soloist and First Dancer Teatro dell’ Opera Roma.
The most important productions:
- “Marco Spada”, choreographer Pierre Lacotte, with R. Nureyev, F. Zumbo, M. Denard.
- “Papillon”
- “Bella Addormentata”
- “Bergkristall”, with Carla Fracci and G. Janku
1977 - “Traviata”, direction Franco Zeffirelli, Soloist, with V: Vassiliev and C. Maximova
DANCE AWARDS
1991 - “Tindari Grandi Artisti” (Italy)
1996 - “Civiltà del Mare, per la Coreografia” (Italy)
1997 - Centro Nacional de Escuelas de Arte, Habana (Cuba)
1998 - Escuela Nacional de Danza Moderna, Habana (Cuba)
2016 - Special prize to dance promotion - consegnato da F.N.A.S.D. Leggere per ballare progetti per la Danza - Busseto Italy
EDUCATION
Rome National Dance Academy
EMANUELA CAMPICIANO
Artistic Director
Contemporary dance
Choreographic composition
Theory and history of dance
Anatomy of movement
2015/2023
- Artistic Director Barcelona Ballet Project - International Dance Center Catalunya.
- Creator of 意識 Ishiki - Conscious Movement Method©
- Artistic Director ENBC Italia - Formative Program Método Escuela Nacional de Ballet "Fernando Alonso" Cuba
- Artistic Director Labat Dance School Contest .... scuole di danza la sfida!!
- Artistic Director Labat Summer Dance Intensive Chianciano Terme
- Contemporary dance teacher Centre de Dansa de Catalunya - Barcelona - Spain
- Artistic Director of “ Educational two-year course for dance teacher on methodology of Cuban classical ballet”, in collaboration with University Institute “Alicia Alonso” – Universidad Rey Juan Carlos, Madrid
From 2002 to 2015: Artistic Director of “Labat Loano Dance Festival”
as well as the “Labat Grand Prix Giuliana Penzi” and the contest “Un Popolo che Danza”
From 2002 to 2013: Soloist and Prima Ballerina at the “Labat Contemporary Dance Company”.
Assistant of the choreographer Gino Labate
2013:
• Artistic Director of the “International Dance Competition – Citta’ d’Alassio” and Artistic Coordinator of the “International Dance Competition – Citta’ di Montecatini”
• Artistic Director and Choreographer of “Vite Spezzate” (social campaign against alcohol abuse, drugs and weekend car accidents).
• Artistic Director and Choreographer of “Oltre il Buio” (social campaign against women violence)
• Artistic Director of “ Educational two-year course for dance teacher on methodology of Cuban classical ballet”, in collaboration with University Institute “Alicia Alonso” – Universidad Rey Juan Carlos, Madrid
From 2006 until 2012: Dance Teacher and Artistic Director of the Studies Center “Evento Danza”, Rome. Choreographer of the experimental group “Longe Dance Project” for the introduction to the contemporary dance
• 2009, Rome (Italy) – Master’s degree in Contemporary Dance, Rome National Dance Academy
LEANDRO PEREZ SANABRIA
Classic ballet
Ballet repertoire
He began studies of the Specialty in 1998 at the Provincial School of Ballet '' Alejo Carpentier '' of Havana, concluding them at the National School of Ballet in 2006, where he joined the National Ballet of Cuba, under the direction of artistic-technique of the absolute prima ballerina Alicia Alonso. PROMOTIONS First level dance corps in 2007 Soloist in 2009 First soloist in 2011 Principal dancer of character 2012 to date During these years he has integrated the cast of several ballet scenes in Cuba and abroad, whose repertoire includes works of the great romantic-classical tradition, neoclassical, contemporary among others. Some of these have been:
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La Bella Durmiente [Carabose] - Alfonsina
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Cenicienta [lLeontine] - Día de la Creación
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El Lago de los Cisnes[Von Rorbart] - Solitario
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La Flauta Mágica [El criado del marqués] - Tablada
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Chueco [Santero] - A los Confines de la Tierra
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Nápolis [Solista Tarantela] - Don Quijote[Quijote, torero y amigos
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Shakespeare[Señor Capuleto] - Cascanueces [Drosselmeyer]
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Sombra de un vals - Teseo y el Minotauro
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Elegía por un joven[Payaso y Maestro de ceremonia] - Cuadros de una Exposición
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Dido abandonada - Giselle [Duque]
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Serenata Goyezca[Vendedor] - Tiempo de Danzón
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Desnuda Luz de Amor - Después del Diluvio
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Dionaea - Habanera Suite
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Tiempo Fuera de la Memoria - Danzas de Mozart
During his career he has been invited to interviews in various mass media (radio, TV and written press), having several moments in which he has had favorable reviews regarding his representation of different roles.
International presentations:
2007: 2008: 2009:
Febrero Guatemala Agosto Rep. Dominicana Mayo Brasil
Marzo Ecuador Octubre Canadá Julio Nicaragua
Mayo Costa Rica Sept a Nov. España e Italia
Octubre México Diciembre Canadá
2010: 2011 2012
Enero España Febrero Canadá Mayo China
Marzo a Mayo U.K. y Francia Marzo México
Septiembre Australia Mayo a Junio USA2013
Noviembre Italia Sept a Nov. España Sept a Nov España
Diciembre Canadá Diciembre Canadá
2014 2015
Junio Puerto Rico Sept a Nov. España y Oman
Septiembre México
Diciembre Canadá
He has worked with national and international choreographers, such as Alicia Alonso, Alberto Mendez, Gustavo Herrera, Goyo Montero [Esp], Ramon Oller [Esp], Jean Grand Maitre [Can], Jean Kelly [USA], Anabel Lopez [Bel], among others. In addition to her participation in the editions of the International Ballet Festival of Havana, she has dabbled in different Danish genres such as Spanish dances, Cuban and Caribbean rhythms; represented in squares, theaters and tourist recreation centers. Important to highlight as an active professional dancer, his work as a teacher in both the National Ballet School and the National Ballet of Cuba. Working in this way with satisfactory results, with children from pre-school training to professional dancers and taking many of them to national and international competitions, obtaining relevant achievements in the continuous development of the new generations dedicated to the world of dance. He is currently developing this work in multiple dance schools in Catalonia such as Casinet de Hostafran, C.D.C, B.D.C, Loida Grau, among others, including different works in the great theater LICEO.
FRANCESCO ANNARUMMA - Guest
Choreographic Workshop
Francesco Annarumma was born in Naples, He studied at Académie de Danse Princesse Grace ", La Scala dance school, English national ballet school. He then began to dance as a free lance with Mauro de Candia, Giorgio Mancini and Christian Cellini. collaborating with the Monaco dance Forum directed by Jean-Christophe Maillot.
Francesco has joined Staatsteater am Gärtnerplatz under Hans Henning Paar where he danced many of his operas and ballets as well as pieces by Fernando Melo.
Under a new direction, Karl Alfred Schreiner assumed the position of House Choreographer and curator of the company. Francesco has danced many main roles. Going on tour in China dancing in the prestigious theaters of China and Houston the main role (the prince drawn from the sleeping beauty)
During his career in Munich, he is part of several creations by choreographers such as Jo Stromgen, Jacopo Godani, Toni Rizzi, Georg Reischl and Emauel Soavi, as well as the main role of "One Flat Thing Reproduced" by Willam Forsythe. Francesco attended the Houston festival with choreography by Jacopo godani and Marguerite Donlan.
Francesco started to be part of the shows (Minutemade), where he danced pieces by Marco Goeke, Emanuel Gat, Benoit Lachambre, Alexander Ekman, Marguerite Donlan, Roberto zappala ', Cayetano Soto, Michael Keegan-Dolan, Gentian Doda, Eyal Dadon, Christoper Roman, Nanine Linning, Erna Ómarsdóttir, Nora Sitges-Sard, Edward klug,
Nicole Peisl
Francesco Annarumma was also chosen as choreographer at Gärtnerplatz, his works have been performed by the dancers of the Gärtnerplatz theater as part of the 'Minutemade' series. Francesco Annarumma was also chosen as a seasonal choreographer at the Petruzelli Theater in which he made his debut for the choreographic movements of Giuseppe Verdi's opera "Il Trovatore". Francesco Annarumma also began to be invited as choreographer at the Staatstheatre of Magdeburg (Germany), with his new creation "Strange creatures" for the opening of the year 2019. Francesco Annarumma creates a solo for the Etoile Giuseppe picone for the homage to Rossini and Rudol'f Nureev. Attiva is also the collaboration as choreographer and teacher at Mp3 project directed by Michele Pogliani and Toteme dance company Kiev , Numerous acknowledgments in various dance festivals as Emerging Choreographer: Capri Danza International Award 2018, Excellence Award of Dance 2018, Festival of the Sabaudia Dance.
DARIO LUPINACCI - Guest
Choreographic workshop
2020 to 1996 - Choreographer of the video clip "BOOM" by VALERIA MARINI -
Advertising choreographer on La7 "PETRA"
- Choreographer of the VideoClip "MONET" by Giovanni Segreti Bruno
- Summer tour choreographer with RTL National radio artistic director ANGELO BAIGUINI
- Choreographer of the concert by BIANCA ATZEI -
Choreographer of the DOLCE NERA Concert -
Choreographer of the “TROPICAL” video by FRANCESCA MICHIELIN
- Assistant Choreographer in the Musical Opera "Actor Dei" choreography by Orazio Caiti.
Teacher and Choreographer throughout Italy and abroad. -
Solo dancer at the show "DOMENICA IN" Rai 1 with Pippo Baudo.
-Dancer in the world tour of "NOTRE DAME DE PARIS" directed by Gilles Maheu choreography by Martino Mauller.
- Choreographer in the “TO INFINITY” Tour with Chiara Provvidenza (Amici2013) and the band Indie Project.
- Dance ensemble of the show "It was Just a Flirt" by Antonella Clerici Rai 1.
- “Promessi Sposi” by Michele Guardì, choreography by Martino Muller.
-Dancer in the video of "Anna Tatangelo".
- "Let me Sing" Rai 1 dance ensemble
-Solo dancer in the show "The Secrets of the Sea" in Quatar, choreography by Gino Landi.
- Rai 1 “The Best Years” dance ensemble with Carlo Conti
- “Tosca Amore Desperato” dance group, choreographed by Daniel Ezralow.
-First dancer and choreographer at “Ballando Con Le Stelle” Rai 1 with Milli Carlucci.
- "Stasera E La Tua Sera" dance group Rai 1
-First dancer in the play "The Divine Comedy" Choreography Franceschina Di But I.
-Dancer in the film "Blind Maze" directed by Heather Parisi Choreography Veronica Peparini
- “San Remo” Rai 1 conducted by Paolo Bonolis choreography Daniel Ezralow.
-Dance group "Tell me La Verità" Rai 1 Conducted by Caterina Balivo.
-Assistant choreographer of Orazio Caiti in the transmission "AMICI" channel 5 of Maria de Filippi
- "Cutty Sark" events abroad producer Franco Dragone artistic direction of Giuliano Peparini
- “Miss Italy” Rai 1 Conducted by Carlo Conti choreography Veronica Peparini.
- “Piramid” Rai 2 Assistant choreographer of Enrico Brignano
- “La Corrida” Channel 5 conducted by Gerri Scotti
- “Lei è” tour by Paolo Meneguzzi with whom he takes part in the Vodafone Tour at the Festival Bar and Top of the Pops and Cd Live TV broadcasts
- “Uno Mattina” Rai 1
- “Sarabanda” Italy 1
- “Actor Dei” Musical Opera choreography Orazio Caiti
- "Giovanna D'Arco" the musical by Franco Miseria.
-Dance in "Zorba the Greek" with Raffaele Paganini
- "Rodolfo Valentino" dance group with Raffaele Paganini.
- "Candide" Theater Opera by Leonard Bernstein staged at the Teatro Argentina in Rome, choreography by Nilas Martins Choreographer of the New York City Ballet.
-Balla with Luciana Savignano Show in honor of San Francesco in Bologna.
-Dance with Maria Grazia Galante guests at the Agrigento Festival
JULIO LEÓN TORRES
Contemporary Dance
COMPANIES
Danza Nacional de Cuba Miguel Iglesias
Acosta Danza Carlos Acosta
Micompañia Susana Pous
Ballet Rakatan Nilda Guerra
Otro Lado Norge Cedeño
Persona Sandra Ramis
Ballet Nacional de Cuba Alicia Alonso
COREOGRAPHERS & COREOGRAPHIES
Carlos Acosta “Tocororo”, “Carmen”
Sidi Larbi Cherkaoui “Fauno”
Goyo Montero “Imponderable”, “Alrededor no hay nada”
Christopher Bruce “Rooster”
Pontus “Paisajes”
Annabel Ochoa “Reversible”
Jan Linkens “Compas”, “Folia”
Julio Cesar Iglesias “Cristal”, “Mercurio”
George Céspedes “Mekanismo”, “Identidad menos 1”, “Mambo xxi” “Matria Egnocentrica”
Rafael Bonachela “Demo Crazy”
Itzik Galili “Sombrisa”
Kennet Kvarntrom “Carmen”
Mickael Marso “Hokiri”
Alexis Fernandez MACA “De Punta a Cabo”
Maria Rovira “Babbel 2.0”
Juanjo Argues “Portal”
Miguel Artunagas “Derrumbe”
Marianela Boam “El Cruce sobre el Niaguara, Cor.”
Jorge Crecis “Twelve”
Angell Maegaret “Paganini”
Juan Cruz “Casi”
Raúl Reinoso “Anadromous”, “Satori”
Justin Peck “Belle Letters”
Rafael Bonachela “Demo-Crazy”
Susana Pous “Infinito”
Sandra Ramiz “Sacre”
Radhouane El Medded “Sia Kara”
Norge Cedeño “Turas”, “Trancire”
PRIZES
2010 GRAND PRIX for The Best Male Performance Festival Nacional Ernestina Quintana
2010 FIRST PRIZE for Choreography in the first edition, Choreographic Contest Regino E.Boti.
2021 FIRST PRIZE of the Online Choreographic Festival IODC Canadá.
2021 FIRST PRIZE of Solos Certamen, Choreographic Festival Masdanza, Spain.
THEATRES
Gran Teatro de La Habana Alicia Alonso, Cuba
Sadler Wells, United Kingdom
Royal Opera House, United Kingdom
Royal Albert Hall, United Kingdom
New York City Center, USA
Teatro Griego, Greece
Teatro Nacional de Austria
FESTIVALS
Festival Sample de Danza en Birmingham, Manchester.
Festival Trois Rivières Canadá
Festival de las Merced, Mercado de las Flores, España.
Festival Masdanza, España.
Festival de Ballet de Cali, Colombia.
TECHNIQUES & MASTER CLASSES
Classic Duo, Cuban Modern Technique, Floor, Body Contact, Master Class of Body Expression, Singing Master Class, Acting Master Class, Improvisation.
DANIEL ALEJANDRO SENÉ
Classical ballet
Repertoire
Academic training
1994-2000 - Studies at the Elementary School of Ballet "Alejo Carpentier"
2000-2003 - National School of Ballet "Fernando Alonso", Havana, Cuba
2007-2012 - Degree in Social Communication, University of Havana, Cuba
Titles 2003 - Title of Dancer and Professor of Ballet, National School of Ballet "Fernando Alonso", Havana, Cuba.
2012 - Bachelor of Social Communication - University of Havana, Cuba
Professional experience:
2003-2007
- Dancer of the National Ballet of Cuba.
2008-2018
Guest professor of the National Ballet of Cuba.
2015-2017 - Professor of the Irene Rodríguez Company.
2007-2018 - Professor of the National Ballet School "Fernando Alonso" and the International Dance Chair of the National Ballet of Cuba.
MARIA ROVIRA - Guest
Choreographic workshop
PRESENTACIÓN
Coreógrafa, bailarina y fundadora de la Compañía Trànsit Dansa y Premio Nacional de Danza (1998).
Como coreógrafa ha trabajado en Alemania, España, Francia, Italia, Portugal, Estados Unidos, Costa Rica, Cuba, Ecuador, México, Puerto Rico, República Dominicana, Uruguay y Venezuela. Además ha colaborado en compañías y producciones, tanto nacionales como internacionales,ha fomentado proyectos de intercambio de bailarines y compañías, y finalmente ha ejercido deprofesora invitada en conservatorios y ballets a nivel mundial.
FORMACIÓN
Inicia sus estudios de danza en el Institut del Teatre de Barcelona y en la escuela de Ramón Soler. Es allí donde conoce a Gerard Collins, quien la introducirá en la danza contemporánea y le ayudará a formar parte del CID (Centre Internacional de la Danse de París). Una vez en Francia, continua su carrera en el Peter Goos Studio en y el Centro Americain de Danse de Paris, donde tiene la oportunidad de trabajar y estudiar con coreógrafos como Carolyne Carlson, Viola Faber, Douglas Dann, Merce Cunningham, Trisha Brown, Marta Graham, Carla Maxwell entre otros. Además profundiza sus estudios en La Maison de la Danse de Lyon, concretamente con Hans Zülling, L. Hoving y Jean Cebron, que provienen de la Folwang Shule de Essen, ciudad y sede de Pina Bausch. TEATRO SALA BECKET
En 1984, estudia en la escuela de Merce Cunningham en Nueva York coincidiendo con profesores como Paul Doun, Paul Taylor, Eiko&Koma y José Limón.
Complementa su formación con la Diplomatura de Danza Clásica en el Conservatorio Superior de Danza de la Comunidad de Madrid, donde obtiene matrícula de honor en esta disciplina y la titulación en estudios musicales.
TRAYECTORIA PROFESIONAL
FUNDADORA Y DIRECTORA DE LA COMPANYIA TRÀNSIT DANSA
En 1985 crea como bailarina y coreógrafa en Mataró la compañía Trànsit Dansa, con el propósito de establecer una compañía residente en su ciudad natal, Mataró (Barcelona) para proyectar la danza y sus creaciones a nivel internacional. Tránsit fue una de las primeras compañías residentes en el país y que además durante seis años, desarrollóla escuela municipal de danza de Mataró con la creación de su propio espacio,Can Gasol.
Fue allí donde instaló la sede de la compañía y se convirtió en una plataforma de intercambio con otras compañías europeas.
Trànsit Dansa creó más de 25 obras que se han podido ver en varias ciudades españolas, europeas y del mundo. Entre ellas, Novembre(1985), Òpera (1986, dirigida por Sergi Belbel), Bienvenidas (1987, escrita por Sanchis Sinisterra, Sala Becket de Barcelona y gira latinoamericana), Hopera (1988, dirigida por Jordi Puntí, Teatre Condal), Trastorn (1989), Entre asesinos (1990), El pols de l’àngel(1992), Bienvenidas (1993), El joc (1993, Premio Nacional Ricardo Moragas), El punt de la memòria (1994), Escape (1995), Mandala(1998), Rugged lines (1999), Petites peces (2000), Occupations (2003) o Trans 20 (2005, como conmemoración de los 20 años de compañía).
En 1998 le es otorgado el Premio Nacional de Danza por su trayectoria en el mundo de la danza.
Rovira se establece en Barcelona y crea, junto con otros coreógrafos, el espacio La Caldera, sede de la compañía durante unos años.Más adelantefue invitada a residente en el teatro de L’Hospitalet de Llobregat (Barcelona) y también con la función de programar compañías a nivel internacional.
Tras varias estancias en Latinoamérica y Estados UnidosMaria Rovira vuelve a Mataró para iniciar la formación de danza en el Aula de Teatro Municipal (2003) como directora. Dos años más tarde se firma y acuerda que Trànsit Dansa se convierta en la compañía de danza residente en Mataró. Fue durante esa época donde se creó grandes obras como:
La muralla (2006, Festival Dies de Dansa, Mataró), Les Bacants(2007, Vinseum, Vilafranca del Penedés), Fossar xic (2007, Festival Dies de Dansa, Mataró), El salt de Nijinsky (2007, Mercat de les Flors, Festival Grec, Barcelona), Les dones de Shakespeare (2008, Festival Shakespeare, Mataró), Comencem pels desitjos (2008, Nit de la Solidaritat, Mataró), Gossos de ciutat (2008, Les Santes, Mataró), Désir (2009, SAT!teatre, Barcelona), Somorrostro (2011), Evangelium (2010), De Carmen (2012), Sommus Greco (2014, dirigida por Liuba Cid)para conmemorar el Año Greco (Toledo).
COREÓGRAFA INTERNACIONAL
Además de la creación de Trànsit Dansa, Rovira compagina su carrera como coreógrafa en varias compañías internacionales.
Participa durante varios años seguidos en el American Dance Festival como International Choregrapher Resident y International Choregrapher Commissioning Program,donde finalmente en 1998, entra a formar parte de la comisión de profesores.
Además estrena No Man’s Landen el Joyce Theather, que la llevó a trabajar con el Ballet Hispánico de Nueva York, con el que después estrenará Poema Infinito, Alè y Olé Garai‒en el New Victory Theather.
Maria Rovira es invitada en varias ocasiones por Alicia Alonso en el Ballet Nacional de Cuba, quien le encarga coreografiar Extravío, Escape (coreografía reconocida en el Gran Libro de Honor del Teatro de La Habana) y Tierra y Luna (1998, para celebrar el 50 aniversario del Ballet Nacional de Cuba), la cual se convirtió en una de las obras más bailadas por la compañía en todas sus giras internacionales. En 2008, el Ballet Nacional de Uruguay la interpretó en el gran Teatro Solís de Montevideo y más tarde es interpretado por el Ballet Metropolitano de Buenos Aires, dentro del Festival de Cali (Colombia).
También ha trabajado para el Ballet Nuevo Mundo de Caracas, la compañía Los del medium de Costa Rica, el Ballet Nacional de Paraguay, el Ballet Concierto de Puerto Rico, el Ballet de Antioquia (Colombia), la Compañía Maximiliano Guerra de Argentina, la Bauhaus, el Ballet de la Ópera de Dessau y el Magdeburg ballet, en Alemania.
En 2012 deviene la directora artística del Ballet Folklórico de Antioquía de Medellín (Colombia), con el encargo de transformar la compañía de danza folklórica en danza moderna.Durante su estancia allí, ha estrenado dos obras que tuvieron una gran repercusión: Naciste vós y Skená-Etnies, estrenada en la Bienal de Cali.
Durante los últimos años, Rovira ha creado múltiples coreografías para la compañía de Carlos Acosta, incluso llegando a coreografiar su propia película, El Yuli, dirigida por Iciar Bollaín y nominada en el festival de San Sebastian. Además junto a Acosta Danza y sus nuevos bailarines de Barcelona, se le encargó una producción para el Festival Grec 2017, donde obtuvo un gran éxito y que le fue concedida la mejor crítica de danza del año 2017 .
Actualmente trabaja para la creación de su nueva compañía, Crea Dance Company. Este mismo año ha estrenado un Carmina Burana con más de 150 artistas en escena, incluyendo el Coro antiguo de Barcelona, el Coro de Terrassa, música en directo y con 12 bailarines internacionales.
ACTIVIDADES Y RELACIONES INTERNACIONALES
Proyectos de intercambio
Festival de Nouvelle Danse et Technologies. Proyecto de intercambio entre Montreal y Barcelona. Embajada española en Quebec.
Enviada del Ministerio de Educación y Cultura para impartir cursos y conferencias en Ecuador, Costa Rica, Paraguay y Venezuela.
American Dance Festival. Intercambios con China, Japón, Corea, Tailandia, Australia, América Latina y Europa.
Festival de La Habana. Mediante el Ballet Clásico de Cuba, obtiene contactos en el ámbito artístico, de gestión y de producción dentro del mundo del ballet clásico de América Latina, EEUU y Europa.
Jurado de concursos coreográficos
Premio de Coreografía de Danza de los Países del Cono Sur. Paraguay.
Certamen de Jóvenes Coreógrafos. Caracas (Venezuela).
Concurso Nacional de la Federación Francesa de Danza. Francia.
Certamen Coreográfico Iberoamericano SGAE. Cuba.
Concurso de Danza Moderna Ciudad de México. México.
Premio Coreográfico de Granada.
Concurso de Danza de Armenia (Colombia).
Festival de Joropo de Colombia.
Coreógrafa invitada
Ballet Nacional de Cuba.
Ballet Hispánico de Nueva York.
Ballet Nuevo Mundo de Caracas.
Ballet Concierto de Puerto Rico.
Ballet Nacional del Sodre (Uruguay)
Compañía Nacional de Danza de Paraguay.
Compañía Nacional de Danza Moderna de Cuba.
Ópera de Dessau.
American Dance Festival.
Festival de Danza de Nueva Delhi, India.
Festival de Manizales de la Bienal de Cali (Colombia)
Conservatorio de Danza de Granada.
Profesora invitada
Rovira ha impartido cursos y seminarios sobre técnica, dirección artística e historia de la danza.
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En España
Universidad Autonóma de Barcelona.
Aula de Teatro y Danza de Mataró.
Jornadas de Danza de Olot.
Centro de Cultura Contemporánea. Galicia.
Centro de Danza de la Asociación de Profesionales de la Danza de Madrid.
Conservatorio de Danza de Madrid.
Conservatorio de Danza de Sevilla (CAD)
Conservatorio de Danza de Granada.
Conservatorio de Danza de Almería.
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En Europa
Fédération de la Danse Française. Francia.
Encontres Internationelles de Danse de Bourges. Francia.
Encontres Internationelles de Danse de Lyon. Francia.
Frankfurt International Danse. Alemania.
Festival de Danza de Colonia. Alemania.
Jornadas de Danza en la Bauhaus (Alemania).
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En los EE.UU
American Dance Festival. Carolina del Norte.
Dance Space. Nueva York.
Conservatorio del Ballet Hispánico de Nueva York.
Hollins College. Virginia.
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En América Latina
Ballet Nacional de Cuba.
Compañía Danza Abierta de Cuba.
Compañía Nacional de Danza Moderna de Cuba.
Conservatorio de Danza Nacional del Paraguay.
Instituto Universitario de Danza de Caracas. Venezuela.
Jornadas de Danza Iberoamericanas. Ecuador.
Ballet Metropolitano de Argentina.
Compañía Maximiliano Guerra (Argentina).
Centro Cultural Español en Uruguay y en la República Dominicana.
Premios
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Premio Oscar López (1986).
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Premio de danza Tórtola Valencia (1987).
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Gran Premio del Teatro de La Habana (1994), por el solo Escape.
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Premio Nacional de Danza (1998).
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Premio Butaca por El salt de Nijinsky (2007)